《然後你會變成雨滴》；現地場域裝置；金紙灰燼、報紙、水、香灰、水泥漆；337x199 公分
《伊底帕斯》，現場裝置（局部）
《界面 ②》（左上）、《界面 ③》（右）；現地場域裝置；金紙灰燼、領帶、剪刀、貝殼、手錶、金項鍊、香菸、眼鏡、銀製雞蛋、銅製鳥、銅製獅腿、仿木紋 PVC 卷裝膠地墊；依場域尺⼨可變
《界面 ③》，現場裝置（局部）
《界面 ③》，現場裝置（局部）
《界面 ③》，現場裝置（局部）
《界面 ③》，現場裝置（局部）
（空間攝影：Øystein Thorvaldsen；文字：Eirik Melstrøm；中譯：郭展源）
An interface is a surface forming a common boundary of two or more bodies, spaces, or phases. It is the place at which two or more otherwise independent phenomena meet, act and communicate with each other. The two artist have pursued both material and immaterial, lingual and non-lingual ways of communicating; talking, making and sounding together. Their discussions have focused on various ways in which this communication can take form, the interface being this place or state of in-between that is often so hard to articulate. It easily becomes blurry. The present is often the blurry one in-between the past we uphold through memory and the future we project ourselves onto. So, how to manifest or communicate this in-between?
The memory of a lost relative manifested shortly in the ephemeral smoke in-between a burning artifact and its subsequent remaining ashes. The conjuring up of now lost buildings and industrial architecture, ghostlike structures asking the question how we deal with our own past and shared history. Perhaps most central to ‘INTERFACE’ is the notion of how we deal with nostalgia. What is the relation between remembrance, reminiscing and nostalgia? How do we deal with the inevitable morphing caused by the passing of time?
收錄於「界面」雙人展中的聲音作品（26 分 03 秒）是由郭展源、Eirik Melstrøm 所共同合作，展前現地錄音、即興演奏於展覽空間
聲音編輯、錄音：
Eirik Melstrøm；
吉他：
Eirik Melstrøm；
大提琴：
郭展源；
技術支援：
Eirik Melstrøm；
贊助支持：
奧斯陸市政府文化局（Oslo kommune）、 挪威藝術委員會（Kulturrådet）
《然後你會變成雨滴》、《伊底帕斯》，現場裝置於「界面」（INTERFACE）雙人展，Loftet (Kunstnernes hus)，奧斯陸，挪威
展覽現場，「界面」（INTERFACE）雙人展，Loftet (Kunstnernes hus)，奧斯陸，挪威
Eirik Melstrøm，《Industrial Complex》，2022
Eirik Melstrøm，《Industrial Complex》（前），2022
Eirik Melstrøm，《Industrial Complex》（前），2022